Tampilkan postingan dengan label awesomeness. Tampilkan semua postingan
Tampilkan postingan dengan label awesomeness. Tampilkan semua postingan

Selasa, 29 Oktober 2013

SHOCKtober: 30-21



Holy crap, the Top 30. How is it all almost over? SHOCKtober, I'm mourning you already.

Each of the following films received six votes:

30. Friday the 13th -- 1980, Sean S. Cunningham
29. 28 Days Later -- 2002, Danny Boyle
28. Martyrs -- 2008, Pascal Laugier

The following films received eight votes each:

27. Insidious -- 2010, James Wan
26. Night of the Living Dead -- 1968, George Romero
25. Suspiria -- 1977, Dario Argento
24. The Thing -- 1982, John Carpenter
23. The Omen -- 1976, Richard Donner

These received nine votes each:

22. Candyman -- 1992, Bernard Rose
21. Black Christmas -- 1974, Bob Clark

Oh look, what's the one lonely movie up there without a corresponding link, meaning I've never reviewed it, nor have I written anything much in depth about it? Martyrs. Damn you, Martyrs! I've been saying I'm going to write something about it for years now. Maybe it's just too much of a thing, I don't know. There's too much to say about it. I don't know! But it's one of my favorite horror movies. Sigh.


As I've said before, it's interesting to see how this list compares to SHOCKtober 2010, how "what's scared you" compares to your "favorites". Here we've got Suspiria at #25...it was #8 in 2010. And The Thing, #24 on your scaries list, came in second on your faves list. See? Interesting. It doesn't always take many actual frights to make a horror movie a favorite. THAT IS SO PROFOUND.

Oh, and speaking of Suspiria...it was a Film Club choice way back when and you should check out the post because Jessica fucking Harper left a comment on it and that is a very awesome thing.

Rabu, 23 Oktober 2013

Film Club: The Last Will and Testament of Rosalind Leigh

I don't know what things are things anymore, so I ask: is complaining that there's no original horror on the market nowadays still a thing? If it is, everyone should stop that right now. RIGHT NOW I SAY. There's been massive amounts of original horror on the market for, oh, the last five-six years or so. Sure, maybe the good stuff doesn't always make it to your local cinetheatermultiplexateria, but it's out there. The Last Will and Testament of Rosalind Leigh (2012) is one mighty fine example.

After the death of his mother Rosalind (Vanessa Redgrave), Antiques dealer Leon Leigh (Aaron Poole) returns to her home to take stock of whatever she's left behind. A night spent in the house he hasn't seen in years leaves him grappling with memories of childhood abuse, attempting to suss out his mother's involvement with a angel-worshipping cult, and perhaps running from the evil forces of the same.

You won't be wrong if you expect that writer/director Rodrigo Gudino's pedigree as the founder of Rue Morgue magazine means he knows a little something about crafting an effective horror film. Rosalind Leigh is unsettling throughout, building to a final twenty minutes or so of pure terror. Mind, this ain't one for the blood-n-guts jumpscare jump cut crowd. Rather, it's quiet, cerebral, and yes, the slowest of slow burns. Patience is rewarded, as I assume repeat viewings would be. To put it bluntly, Gudino's film make those of Ti West look like action-packed thrill rides, and that's certainly not going to cut it for every genre fan.

I've never seen anything structured quite like Rosalind Leigh. It may not make any sense, but it plays a bit like a feature-length short film. It's very confined in both time and space: it's one man spending one night in one house. There are other characters but they are only voices on the phone, voices hidden behind doors, perhaps glimpsed in a video or a flashback. Although she's dead, Rosalind's presence weighs heavy in every scene, sometimes amplified by the sadness and longing in Redgrave's terrific voiceover work.

Religion is at the forefront of Rosalind Leigh, and her sprawling, angel-filled house is like Margaret White's wet dream mansion. If you've ever found Christian iconography disquieting, this film is going to get your panties in, like, ten twists. The camera lingers on faces, in corners, in the dark, and you're never quite sure what's going to move. This place is a nightmare and were I Leon, I'd have nuked it from orbit.

nope, no thank you

Gudino lays down some ideas about faith and superstition, about the loving God/vengeful God dichotomy and belief: does it make things happen, or prevent them from happening? (I found myself thinking that it must be pretty stressful to live as a hardcore True Believer, always worried about pissing off the dude in charge, you know?) While it opens the door to discussion, however, Rosalind Leigh ultimately doesn't provide a true resolution to the goings-on. Whether or not the film satisfies you in the end may be in direct proportion to your willingness to let questions go un answered. To me, the ride was most definitely worth it.

And if there's one thing that The Last Will and Testament of Rosalind Leigh taught me, it's that under no circumstances should you ever drop your fucking fork.

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Film Club Coolies!
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Pokoli Park
Nerds Die Last
Diana Rogers
Life Between Frames
Kaedrin
The Verdant Dude
Mermaid Heather

Senin, 30 September 2013

While you're waiting for tomorrow...

...here is a thing you can do besides simply stuffing your face with candy corn. Perhaps you remember- or perhaps you don't, I wouldn't know, I'm not your mother- In Satan's Closet, which is a fake trailer that I made once upon a time. It's an ode to Italian horror movies from the 70s, particularly the ones about possession. And yeah, it's a "trailer" that's longer than many short films. So sue me!


Anyway, the point of me talking about myself is this: tell me I'm pretty! friend o' Final Girl and illustrator extraordinaire Chuck Ramos made a friggin' poster for In Satan's Closet, and it's just so good, you guys. Then he went and submitted the design to Threadless for a contest they're holding. Contests mean that The People of the Internet must unite, and by "unite" I mean "fucking vote".

But hey, like I said: you're looking for something to do, right? Then make with the click-click, and let's get this shit on a shirt! Because it's awesome!


Yeah! The contest runs for four more days, so tell your friends to put down their bite-size Baby Ruths for a minute and get ta votin'. Every time a vote is cast, an angel gets punched in the face by a possessed nun!

Senin, 13 Agustus 2012

Film Club: Deadly Blessing

I'm...not exactly sure how to write about Wes Craven's 1981 shocker Shocker Deadly Blessing. It's kind of a seven-layer dip of a movie: all these different flavors competing with each other but trying to work together, turning into a big mess that sits in your stomach like a gelatinous lump of regret. Mind you, the regret comes later; while you're eating it, your eyes focus on some distant, imaginary point and you find yourself saying a little too loudly, "I don't know what's happening to me and I'm not sure if I entirely like it, but I might and so I'll just keep going." Yes, in this way Deadly Blessing is exactly like a seven-layer dip.

So you've got Jim (Douglas Barr) and his wife Martha (Maren Jensen, who was Athena on the original Battlestar Galactica and what more do you need to know) tending to their farm in a young, carefree fashion. To one side of their land they've got the Hittites, a wackadoo religious sect led by Isaiah (Ernest fucking Borgnine). On t'other they've got Louisa (Lois Nettleton) and Faith (a pre-nosejob Lisa Hartman), a wackadoo mother and daughter.

And then stuff happens.

I mean really, it's true- a bunch of stuff happens and I swear, I was scratching my head trying to connect the dots to basically no avail. Stuff. Just. Happens.
  • In the dead of night, Jim gets run over in his barn by his tractor. Was someone driving the tractor? We don't know.
  • Hittite Michael Berryman lurks a lot, and for a while you think "Okay, so Deadly Blessing is about this creeper..." but then he's stabbed and killed by someone. BUT WHO, DEADLY BLESSING? BUT WHO.
  • Isaiah calls all the non-Hittite women "incubus". What? Does he mean "succubus"? Does he mean anything? We don't know.
Isaiah about to slap the Satan right outta dat William Katt-alike
  • Lana (Sharon Stone) and Vicky (Susan Buckner), old pals of Martha, show up to help the young widow ease into young widowhood.
  • A dog gets a blast of mace to the face!
  • "You are a stench in a nostril to God." - Isaiah
  • Lana starts dreaming about a guy and spiders and a guy who is a spider, and everyone is like "Shut up, Lana."
  • Sharon Stone, amirite? I mean, in this movie a spider goes in her mouth! She did a shit ton of work before 1992, when a simple flash-o-vagina brought her stardom in Basic Instinct. I am just saying, let's give that broad some credit. If not for this, then for 1984's Calendar Girl Murders.
  • Ill-timed, overblown music cues turn ordinary moments into big exciting movie moments, like, say, Martha putting her hair in a ponytail.
  • Lana has a run-in with some spiders and maybe a guy in the barn and she cries a lot, and everyone is like "Get over it, Lana."
  • Someone is killing people! Sometimes by practical means, like stabbing or setting a car on fire with the driver inside...and sometimes by nonsensical means, like putting a snake in a bathtub. And I'm going to pretend that the shot of Nancy in the tub in A Nightmare on Elm Street was Wes Craven saying "Hey guys, remember when I had this same shot in Deadly Blessing? What the heck was with that movie, anyway? That was some seven-layer dip shit!"
  • Lana goes to pour some milk only to discover that someone has replaced the milk with Folgers Crystals blood! She screams and makes a mess everywhere, and everyone is like "Lana, GO HOME."
  • There's a coffin full of chickens.
Y'all, this movie is really as all-over-the-place as I've made it out to be. Deadly Blessing is a hot mess, a bunch of storylines competing for dominance and making practically no sense.

But then...the last ten minutes. I'm not going to give away anything here, because...the last ten minutes of this film should not be given away. Let me just say that it's jaw-dropping. It is women punching, shooting, flying around due to punches and/or gunshots, and making crazy faces. It is a big pile of total what-the-fuckery, and it completely redeems all that came before. And just when you think it is over, it is not. And then your jaw- still dropped!- will say "fuck this" and throw itself out your window. It's amazing.

So for that and also this production still of Martha, Lana, and Vicky? I will certainly regret you later, Deadly Blessing, but for now...you win. You win.

Totally lezzed out together in college.

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Give it up for the Film Club Coolies!
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Slasher Studios
The Life and Times of a Cineman
Soresport Movies
KL5-FILM
Filmiliarity
Vegan Voorhees
JDC's Little Hill
Zombie Club
Into the Mirror
Aphorisms and Ectoplasm
Mermaid Heather
nijomu

Rabu, 29 Juni 2011

Selasa, 10 Mei 2011

bonding over furniture

Sometimes you watch a movie and it's such a transcendent thing, it makes you feel so damn happy just to be alive. I AM SO HAPPY I EXIST, you might say, IF ONLY SO I CAN PARTAKE IN THIS FILM. You feel connected to humanity; you remember that we're all together in some way, struggling and thriving during our all-too-brief time on this planet. It's like the feeling embodied by that old Coke commercial; you know, the one about being a hippie and having communal carbonated beverage experiences.
This is how I suddenly find myself feeling about Amityville 4: The Evil Escapes. You know, the one about the evil, possessed floor lamp. I just love that someone came up with that ridiculous idea and wrote it down and passed it on. All the way down the line, people said AN EVIL, POSSESSED FLOOR LAMP? OKAY! to this idea, from the money men to Patty Duke to the TV stations that bought the rights to me and everyone else who bought the DVD or video or watched it on television. We all said YES to the evil floor lamp and cheered loudly when the evil floor lamp went over a cliff and exploded at the bottom.
An evil, possessed floor lamp! This, my friends, is life.

Rabu, 09 Maret 2011

Other people make things, too!

I have this friend named Brent Engstrom, and he's one of my favorite artists, straight-up. STRAIGHT-UP, people. He does sketch cards and illustrations for stuff you've heard of: Mad Magazine, Star Wars, Garbage Pail Kids, Wacky Packages...all the weird, twisted stuff I ate up as a kid, the weird, twisted stuff that was highly influential in making me the...person I am today. Brent's work is, as you might expect, largely weird and twisted and full of black humor. You know, kids with smiles full of rotten teeth and worms in their ears. In other words, awesomely delightful, and I love it.

He's got some horror/Garbage Pail-flavored mashup cards up on his blog. I'm posting only a couple; check out the rest and explore his site- lots of goodness abounds. And if you're in the market for a sketchcard or some such, hit him up. The dude can do anything!





Selasa, 15 Februari 2011

Happy Anniversary to The Silence of the Lambs


That's right kids- as my pal JA pointed out at My New Plaid Pants, The Silence of the Lambs is 20. Twenty. Twennnntyyyyyy GD years old. This doesn't seem possible- why, I saw Silence in the theater (a couple of times, in fact) and I'm only 18.

Anyold, I felt like giving Silence some love today. But how? I've already reviewed it. I've already talked about how it's one of my favorite horror films. I could go on and on about the genius way Jonathan Demme puts the audience squarely in Clarice Starling's cheap shoes by having every character who speaks to her look directly into the camera, making eye contact with the viewer. I could talk about how and why it's really the best work Jodie Foster's ever done in her lengthy career. I could talk about how the true sneaky ninja superstar of the film is Kristi Zea's impeccable production design. But, you know, it's raining outside and so I feel like going to browse at the used bookstore (it's this weird primal reaction I have to rainy days...I don't get it, so don't worry if you don't get it)...therefore, I will simply post up a gallery of delightful images from the film. Happy Anniversary, The Silence of the Lambs! Don't worry- I can't smell anything.


















Selasa, 28 Desember 2010

get the eff outta here, 2010!

That's right, I said get outta here! I'm tired a lookin' at yer ugly mug and I'm ready for some 2011 action. You're old news, baby! Yesterday's garbage! Tomorrow's nothing! I tells ya, I oughta take a lighter and-- what's that, 2010? You're not ready to go yet? Well, listen sister- you're gonna have to before I tear you a new-- wait, are crying? Are you seriously crying, 2010? Wow. Look, maybe I shouldn't have been so hard on you, but you have to admit...at this point, you're pretty used up and I ain't got time to wallow in...oh, fine. Yes. I'll do it.

Y'all, let's give 2010 one last blast of glory, shall we? I haven't done a year-end spectacular since two thousand fucking seven, so...don't tell 2010 this (I don't want her head to get big), but I was planning to do one anyway. After all, the end of the year is the time bloggers look back and then tell everyone how great that year was (this was my most jam-packed year yet, and I'm sure every single post was of the utmost quality), and no one really cares except the blogger. It's like looking into a living cybermirror for me, and that's all that matters!

I don't know what that means, but let's go with it. Let's go with it RIGHT NOW! Please note, the quotes and pictures aren't necessarily related- I just chose quotes and pictures I like. There, that should save you a ha'second of "Huh?"

Is "ha'second" a word? It should be.

The Final Girl Year-End Wrap Up Extravatonydanza

JANUARY

"...look, I'm desperate for excuses to post pictures of the Sagal twins around here, so I'll take what I can get."


The 23:45 project was still going strong- looking back at some of them, I want to pick it up again. It's...you know. Neat. I busted out a My Faves of the Decade and realized that horror in recent times hasn't been as terrible as I was thinking. I launched Operation: 101010, which...well, OKAY. It's a failure. I'm a failure! I thought watching 100 movies in the course of a year would be easy, breezy, and beautiful, but apparently I found it to be anything but. I'll do a wrap-up of it soon, but the short of it is: fa. Ailure. Another failure: that meme in which I was supposed to reveal interesting facts about myself. I revealed the facts, yes, but none were interesting. Reviews in January included Pandorum, Daybreakers (I forgot I saw that!), Jennifer's Body (which I am shocked to find myself often defending), and the rad Film Club selection, Black Sabbath.

FEBRUARY

"For fuck's sake, this movie has blood and naked lesbian ghosts and it still isn't any fun."


Oh, February...you little shortie, you. Despite your status as the shortest month, I sure crammed a lot in ya.

Yes, that's a free "that's what she said" joke for you. Dazzle your friends!

I wished George Romero a happy birthday by making some mock Criterion edition covers of his original zombie trilogy. I'm sure he was touched! I started a few ongoing features that I seem to have forgotten about but I should really resurrect: Friday the 13th Victim of the Week and The Bloggenaires. I apologize to all the Bloggenaires who have filled out their Bloggenaire and are waiting for their Bloggenaire in the Bloggenaire moment in the cybersun. I have no excuse except that I forget everything except the lyrics to the theme from The Facts of Life. Reviews in The Littlest Month included the chug-a-riffic Horror Express, the confounding Witches' Mountain, The Crazies (in which I gave a glimpse into the lengths PR companies go to to dazzle reviewers), and Return of the Living Dead Part II. Meanwhile, Wicked Lake, The Unborn and Return to House on Haunted Hill angried up my blood but good.

Oh, and I still have this painting sitting here! You should buy it.

MARCH

"LOCUSTS TERRORIZE SOUNDSTAGE VILLAGE, NEWS AT ELEVEN"

There was a truly Earth-shattering, groundbreaking. face-rocking-offing event in March: The Scare-ening was born! That's right. Heidi Martinuzzi of FanGirlTastic and I launched our internet radio show/podcast thing to the praise and delight of ourselves, and let's face it: there was life before The Scare-ening, and there's life after The Scare-ening. It changes you.

Okay, that's not really true, but it's fun...for us, anyway. We recently relaunched after a hiatus, and the show is just as pointless as ever. Tune in this Wednesday for our 28th episode! Woo!

Some of the movies reviewed: Cloverfield (meh), Exorcist II: The Heretic (there are no words), Uzumaki (Film Club pick!), Dead Space: Downfall (animated sequel + game coming next month, YEAH!), Vampyres (jonesing to watch it again), Halloween II (FFS, I don't want to think about it EVER), Track of the Moon Beast (a comic review!), and Vinyan (I don't care, I liked it).

I talked about some of the crap I own that I love. Kathryn Bigelow won an Oscar for Best Director. Not bad, March...not bad.

APRIL

Oh no. I'm only 1/3 of the way through the year...not even...and I'm already bored by all this self-indulgence.


The Film Club fucking loved Spider Baby. For some reason I liked The Birds II: Land's End. For some reason I did not like Phantasm IV: Oblivion. The Vampire Lovers...aww, Ingrid Pitt. I love a good reveal, which is probably why I posted about some of my favorites. How weird!

April was kind of dull, so it should come as no shock that reminiscing about it is dull, too. Look, they can't all be gems!

MAY

"Like herpes, Birdemic is best when it's shared."


Oooh, my blood got all a-boil over pushy indie filmmakers. Then I turned around and became a pushy indie filmmaker myself when Taste of Flesh, Taste of Fear went on sale! Okay, that's not true. I mean about the pushy part. There are ways to do things, I think...how to get the word out about yourself and your work without being completely obnoxious about it. I may not always succeed at not being obnoxious, but I do try my darndest. But if I don't tell you about whatever I've got going on here at Final Girl, then how am I supposed to do it? I mean, this is my house. I don't mean that literally.

Or do I?

Anyway, I watched and reviewed a bunch of stuff in May, from The Human Centipede to Life Blood. I watched/reviewed The Descent 2 and talked to Shauna MacDonald about it. to Heather Langenkamp was a guest on The Scare-ening. I paid tribute to Banana Girl and Christopher Lee turned eight effing eight. Film Club went into The Beyond. May was so boss!

JUNE

"At this point, I would like to take a time out to mention that nothing that weighs 11 pounds should ever come out of a vagina, ever. EVER."


Splice and I just did not get along, and I'd rather forget that I spent any time at all with Survival of the Dead. I hated Ghost Game, too, but at least "reviewing" it gave me the opportunity to draw some pictures...and then there was the worst lesbian vampire movie in the history of ever. Sweet Jebus, what a bad streak. Thankfully, [REC] 2 was there to lift my spirits out of a crappy movie-inspired June gloom. The Film Club found out that It's Alive Hey look at the purdy: my favorite posters from the AMPF archive. Oh, and I documented what we already knew: that there are lots of horror movie characters who are way cooler than me.

JULY

"The football-with-a-sword attached is really an inefficient weapon. You have to build the thing, then figure out a way to carry it around without anyone noticing, and then you have to find someone stupid enough to catch it."


Over at The Horror Digest, André asked about everyone's willies and so I complied by talking about mine. I mean...a list of horror movie moments that give me the willies, not...oh, YOU KNOW. The Viscera Film Festival happened here in Los Angeles, and that was cool. Heidi and I welcomed Viscera founder Shannon Lark to The Scare-ening, so if you want to hear all about it, then go hear all about it. An extra-large Film Club visited The House of the Devil. Other than that...hmm. I guess it was too hot to watch movies that month!

AUGUST

"The only question that remains is, why doesn't this tape live in my pants?"


I made up for July's scant movie viewing by gettin' it on with my TV during August. I finally saw Silent Scream after years of anticipation, and...you'll have to read the review to find out if it was worth the wait. Or you'll have to remember the review if you already read it. At any rate, you'll have to do something if you want to know. I gave little bite-sized reviews for Grapes of Death, Rattlers, and Phantom of the Mall: Eric's Revenge...and I couldn't even do that much for A Feast of Flesh. There was also Cthulhu, Zeder, Dracula's Daughter, an anthology of Asian-flavored ghost stories, Messiah of motherfucking Evil, and an ill-advised trip bound for Hell with Hellbound. Oh, and I made an Exorcism Movies Flowchart. Dayum, August was all over-achievery!

SEPTEMBER

"I think she really won my heart when she called her son a 'big dildo'."


I indulged my love of gross possession faces with the Italian Exorcist rip-off Beyond the Door. I proved yet again that I can never get enough Creepshow. I discovered that The Red Shoes are actually pink shoes. I launched Take Back the Knife over at AfterEllen (man, writing about horror for a largely non-horror crowd is weird, my friends!). Together, we celebrated the National Treasure known as Ethel Hubbard. Awesome Movie Poster Friday reached a milestone, and I reached new found heights of WTFness with my trailer for In Satan's Closet.

September was a big beefy mix (whatever that means) of delights, but we all know the truth- it was just a warm up for...

OCTOBER SHOCKTOBER
"I am a moron."

Man, SHOCKtober really brought the cray cray, didn't it? Yes...yes, it did. I know it all seems like a dream at this point, but let's hold hands and remember together: I asked readers to submit lists of their 20 favorite horror films- not the "best", but each person's favorites- and I tallied numbers and compiled a master list. In the end, the master list featured over 700 titles. See? Cray cray! Here's the intro to SHOCKtober, which delves a bit more into the genesis of the project, although it's not much more exciting than what I've written here...I may swear more in that post, however.

Then began a long month of counting down your favorites- all the way from #732 (Dust Devil) to #1 (Halloween). Along the way, we got some special guest Top 20(ish) lists from the likes of Kim Morgan, Lena Headey, Zane & Brea Grant, Richard Harland Smith, Buzz from CampBlood, Amanda by Night, and more. I even gave a couple of Top 20 lists myself. All in all, I'd say it was a successful experiment that leaves but one question: what the fuck am I going to do next year?

Still, the month wasn't completely consumed by THE LIST. The Film Club got all classy with Onibaba, and I wrote about Halloween (the day, not the movie). Okay, so SHOCKtober was 99.7% consumed by THE LIST. Don't act like you didn't love it!

NOVEMBER

"Okay, I admit it. I've got full-blown slasher fever! It's not as exotic and mysterious as dengue fever, nor as quaint as typhoid fever, nor as controversial as jungle fever, nor as irritating as Pac-Man fever, nor as tasty as the fever for the flavor of a Pringles, but I assure you: it's just as real."

As the month kicked off, I just couldn't let go of SHOCKtober..and thus, a post-game show with number-crunching and other useless info.

Right after that, I launched a website and fundraising page for what I hope to be my next major film, Diet! Diet! My Darling!- a feature-length slasher flick made with fashion dolls. At this point, it looks like I'm not going to reach my fundraising goal- I just can't fucking hound people day after day with "please donate!" messages, but I suppose that's what you have to do, isn't it? Otherwise people forget or never find out about the project to begin with. But it's so annoying!

Anyway, no matter. I'll try again after this campaign ends; it's a pretty humble budget, I have to say, and I'll get there. If you feel like learning a bit about slasher flicks, well, head over to Diet!'s website- I wrote up a Slashers 101 for people who are unfamiliar with the subgenre....you know, the plebes.

Over at Take Back the Knife, I took a long look at the homophobia (or lack thereof, or some combination of the two) of High Tension. A bursting-at-the-seams Film Club took a field trip to The Funhouse and took a paddle to The Initiation of Sarah. Many movies I watched in November left me feeling uninspired, so I began writing shorter and shorter reviews. I mean, Growth...who cares, right? Still, I wrote a tiny review of In My Skin and that, I effing loved. How odd of me.

DECEMBER

"MOTHER JEFFERSON."


Geez, no wonder I've been feeling uninspired. The Canyon totally blew. And Soon the Darkness was only okay. The Film Club pick Sugar Hill was fun but I'm not, like, making out with it or anything. Me + horror movies really need to rekindle our shit, you know?

In the meantime, I've been writing about video games over at the brand new Jill Sandwich. Check it out sometime, why don't cha? HMM? Also, The Scare-ening made a triumphant return from its hiatus. OH YEAH, and I started selling copies of Ludlow, which is FINALLY DONE. I expect a big box of DVDs this week, and then I will start mailing them to homes and places of businesses. If you want to hop on that train, click here and do it.

Let's see, what else happened in December? Oh yeah, I started writing this post. Neat!

If you made it to the end of this chunk of self-indulgence, let me say: thanks for reading Final Girl. This look back over the year has proved...well, I guess it hasn't really proved much of anything except that 2010 is just about over- but then, you probably knew that.

Say, did you learn anything from this 2010 Final Girl retrospective, Charles Nelson Reilly?

You got that right! Happy New Year, everyone!

Senin, 29 November 2010

Film Club: The Initiation of Sarah


As I more than intimated when I announced The Initiation of Sarah as this month's Film Club pick, it's as if the film was made just for me. Seriously, this movie could have been borne from the Stacie Ponder Edition of Mad Libs. Let's fill in the blanks!
In this MADE FOR TV movie from 1978, a shy TELEKINETIC girl exacts revenge on bitches who tease her at a COLLEGE where the most important things in life are SHORTS, THE BRUSHING OF HAIR, and THE RUSHING OF SORORITIES. The film stars KAY LENZ and Morgan FAIRCHILD and Morgan BRITTANY (who was a total JERK on DALLAS and so Stacie was prepared to DISLIKE her immensely, but her character here was actually NICE), which is AMAZING enough...however, there's also ROBERT HAYS of AIRPLANE! (one of Stacie's favorite movies) and TISA FARROW, who is perhaps best known for her turn in LUCIO FULCI'S ZOMBIE, but she's also known for NOT BEING IN ENOUGH HORROR MOVIES ACCORDING TO STACIE. THE INITIATION OF SARAH also features SHELLEY GD WINTERS, who turns in one of her patented over-the-top IS SHE DRUNK? performances.

The best part of the film may very well be the recurring shots of a SCALE MODEL of a HEDGE MAZE that is supposed to be the REAL THING. It never fails to be completely EFFING AWESOME. NEVER. There's a bit of SATANISM thrown in and plenty of the requisite ROBES, DAGGERS of DESPAIR, and CANDLES, but then there's also this unexpected undercurrent of GAY. Seriously. There are enough LONGING glances between the GIRLS throughout the entire movie that it can totally be read as some sort of journey to SEXUAL AWAKENING if you're all, like, into SYMBOLISM AND SHIT. It's gay enough to be the lezzie version of A NIGHTMARE ON ELM STREET 2: FREDDY'S REVENGE. Sure, it's a bit of a rip-off of CARRIE (just substitute MUD and EGGS for PIG'S BLOOD) and in the end there's not much CARNAGE (though the end is still a total downer- it's DEPRESSING in the way all these TELEKINETIC REVENGE movies are), but there's no denying that SARAH and company were initiated straight into my HEART.
Film Club Coolies, yo!
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Made for TV Mayhem
Kindertrauma
Betty Bloodletter
Film Shuffle
From Midnight, With Love
strange spanners
I Will Devour Your Content
Maynard Morrisey's Horror Movie Diary
Creature Cast
Cinema Gonzo
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